Omega
Euphoria = Hitting the Target !! : )
This has been passed to me so I thought I would put it up for any comments
Dick Allgire over at HRVG posted the following
possibly "powerful piece of information"
They are keeping everyone in suspense ;D
PsiSpy
We may just have a photograph sitting in the Library of Congress that has a record of remote viewers from the future, showing up in that photograph, experimenting with time.
Let me bring you dear readers up to speed on what this is all about.
On March 9 this year Glenn Wheaton worked a remote viewing session in front of HRVG class, on camera with a video camera recording the event. Debra and I had selected the target, a person who lived in the 1800’s. Glenn’s session- every bit of it captured on camera- was stunning, more information than most people would ever expect a remote viewer could gather, given nothing more than a blind target ID.
The person selected as the target is not spectacularly famous- not Lincoln, or Robert E. Lee, or Mark Twain, but it is someone history buffs might recognize. He led an interesting life and left a good record of his time on earth. A photo of the person was taken in 1875, and that photo is in the Library of Congress. Copies are available on line.
After he worked the session on camera Glenn was not immediately given feedback. It seems kind of silly to withhold feedback after the viewer has just told you more about your target than you ever knew when you tasked it, but that’s how it worked. We didn’t tell Glenn the name of the subject. He went back and revisited the target person, and found a moment when his portrait photograph was made using 19th century Deguerrotype technology. Such photos are one of a kind.
Glenn’s intent was to send a message to the past. To put a message in some medium that would persist and be evident today. If he were successful it would prove that remote viewers don’t just perceive some inexplicable record or imprint of a past event, they actually displace something of themselves to the actual event across time. If Glenn were successful it would also mean that remote viewers have the ability to generate some type of “affect†(however small) at the target across time. If Glenn could successfully put his message, say in an old photograph, it would show that he traversed time, and affected that moment. Heady stuff.
Glenn flipped a coin- a nickel- to select his message. If the coin came up heads, the message would be: A HEADS W. All upper case. (Glenn wanted to leave his initial, W for Wheaton.) If the coin came up tails, then the message would be: b tails w. All smaller case.
The coin flip turned up heads, so the message would be:
A HEADS W. Glenn published this on the HRVG website.
Glenn went into S-5 Theta Isolation and went to target. When Glenn does this a small part of his awareness remains where he is viewing, in this case in his bedroom at his house in Kalihi. But a greater part of his awareness goes to target. It means Glenn is at the target in a full experiential reality. He feels as if he has a body and is standing there at the target.
He found himself in the 1875 photography studio where the subject was sitting for his photo. Old style photos like this require extremely long exposures. It why people never smiled in Deguerrotypes. They had to sit rigidly, not moving a muscle or expression for many minutes while the light photons were captured on the copper plate. As the photograph was exposed, Glenn (there at the target) placed himself between the subject and the camera and traced the letters H HEADS W. on the subject’s forehead. Glenn is able to revisit targets and replay the scene over and over again. He did this many times, each time etching the message A HEADS W. as the photographic plate was exposed.
When I spoke with Glenn at the conclusion of this exercise he was both exhausted and rattled. He asked if Debra and I could come right over. He said, “I need to resolve this.â€Â
We met at Glenn’s house and gave Glenn feedback. We told him the name of the target, but he already knew. We found the photograph that was taken at the time Glenn visited the target in his sessions. We began examining every centimeter of that image, using computer enhancement to search for possible letters embedded somewhere in the photo.
Glenn is a trained military image analyst. He spotted it first. On the subject’s forehead, what seems to be an anomaly in the emulsion. The process of Deguerrotype leaves tiny faint squiggly lines on the photograph, or least it did on this photograph. Most of the lines are random. On the subject’s forehead they resolve into some letters. You can make out the letters A HEADS W.
The A is very clear. The H is easy to make out. There are three letters EAD after the H, which are not as easy to spot, but you can make them out. The S is very clear and the W is unmistakable. To those of us who have spent hundreds of hours taking notes while Glenn writes on the whiteboard, it even LOOKS like his penmanship, the way he draws block letters.
As we examined the photo further we began to see other anomalies. The subject was wearing glasses. In the reflection we first made out a human figure, the tiny image of a woman. Then later that night we were at home, on our computers examining the photo and talking on the phone. We noticed another face reflected in the spectacles, a man with a beard, and then yet another face. Since we were talking on the phone we used clock terminology to point to the position of the faces. “Look, at 11 o’clock from the corner of his eye, see that face with the creepy eyeball staring right at you?†It gave us goosebumps, or as we say in Hawaii “Chicken Skin.†Faces that weren't there before were appearing in the image, staring back at us.
And always, that small grouping of letters that should not logically be there: A HEADS W.
Now at this point I’m sure you’re going to ask, “Okay, where can we see this photograph?â€Â
We need to ponder this for a bit. We’re going to have some folks we trust examine the photo and ask if they honestly also see the message. In the meantime we want to safeguard the image, if that is possible. The original is in the Library of Congress. We will order a high resolution copy from the Library of Congress. But if a remote viewer can go back in time and alter the photo, maybe remote viewers in the future will go back and put their own mark on the photo, and those marks are already there, because they did it already (like Glenn did) in 1875. This photo may become a popular test or “proving ground†for putting messages in time. So where we are right now, we’re trying to figure all this out, and we’re not going to reveal the photo just yet.
I keep looking at the photo and pondering the scrawl in Glenn’s all caps style: A HEADS W.
I have this question for Glenn, who grasps all of this better than I. Glenn, If future remote viewers go affect that photo, are their messages already evident? Or will they appear after they do their sessions, and then will they have always been there? When you first worked the target, was your message already there? The paradox issues give me a headache.
This is a most interesting project. I believe Glenn did traverse time and did affect the photo. I plan on submitting this as a topic for presentation at the IRVA conference in June. If approved, we’ll bring the photo and it will be revealed at the conference and then made available to the public after that.
Dick Allgire over at HRVG posted the following
possibly "powerful piece of information"
They are keeping everyone in suspense ;D
PsiSpy
We may just have a photograph sitting in the Library of Congress that has a record of remote viewers from the future, showing up in that photograph, experimenting with time.
Let me bring you dear readers up to speed on what this is all about.
On March 9 this year Glenn Wheaton worked a remote viewing session in front of HRVG class, on camera with a video camera recording the event. Debra and I had selected the target, a person who lived in the 1800’s. Glenn’s session- every bit of it captured on camera- was stunning, more information than most people would ever expect a remote viewer could gather, given nothing more than a blind target ID.
The person selected as the target is not spectacularly famous- not Lincoln, or Robert E. Lee, or Mark Twain, but it is someone history buffs might recognize. He led an interesting life and left a good record of his time on earth. A photo of the person was taken in 1875, and that photo is in the Library of Congress. Copies are available on line.
After he worked the session on camera Glenn was not immediately given feedback. It seems kind of silly to withhold feedback after the viewer has just told you more about your target than you ever knew when you tasked it, but that’s how it worked. We didn’t tell Glenn the name of the subject. He went back and revisited the target person, and found a moment when his portrait photograph was made using 19th century Deguerrotype technology. Such photos are one of a kind.
Glenn’s intent was to send a message to the past. To put a message in some medium that would persist and be evident today. If he were successful it would prove that remote viewers don’t just perceive some inexplicable record or imprint of a past event, they actually displace something of themselves to the actual event across time. If Glenn were successful it would also mean that remote viewers have the ability to generate some type of “affect†(however small) at the target across time. If Glenn could successfully put his message, say in an old photograph, it would show that he traversed time, and affected that moment. Heady stuff.
Glenn flipped a coin- a nickel- to select his message. If the coin came up heads, the message would be: A HEADS W. All upper case. (Glenn wanted to leave his initial, W for Wheaton.) If the coin came up tails, then the message would be: b tails w. All smaller case.
The coin flip turned up heads, so the message would be:
A HEADS W. Glenn published this on the HRVG website.
Glenn went into S-5 Theta Isolation and went to target. When Glenn does this a small part of his awareness remains where he is viewing, in this case in his bedroom at his house in Kalihi. But a greater part of his awareness goes to target. It means Glenn is at the target in a full experiential reality. He feels as if he has a body and is standing there at the target.
He found himself in the 1875 photography studio where the subject was sitting for his photo. Old style photos like this require extremely long exposures. It why people never smiled in Deguerrotypes. They had to sit rigidly, not moving a muscle or expression for many minutes while the light photons were captured on the copper plate. As the photograph was exposed, Glenn (there at the target) placed himself between the subject and the camera and traced the letters H HEADS W. on the subject’s forehead. Glenn is able to revisit targets and replay the scene over and over again. He did this many times, each time etching the message A HEADS W. as the photographic plate was exposed.
When I spoke with Glenn at the conclusion of this exercise he was both exhausted and rattled. He asked if Debra and I could come right over. He said, “I need to resolve this.â€Â
We met at Glenn’s house and gave Glenn feedback. We told him the name of the target, but he already knew. We found the photograph that was taken at the time Glenn visited the target in his sessions. We began examining every centimeter of that image, using computer enhancement to search for possible letters embedded somewhere in the photo.
Glenn is a trained military image analyst. He spotted it first. On the subject’s forehead, what seems to be an anomaly in the emulsion. The process of Deguerrotype leaves tiny faint squiggly lines on the photograph, or least it did on this photograph. Most of the lines are random. On the subject’s forehead they resolve into some letters. You can make out the letters A HEADS W.
The A is very clear. The H is easy to make out. There are three letters EAD after the H, which are not as easy to spot, but you can make them out. The S is very clear and the W is unmistakable. To those of us who have spent hundreds of hours taking notes while Glenn writes on the whiteboard, it even LOOKS like his penmanship, the way he draws block letters.
As we examined the photo further we began to see other anomalies. The subject was wearing glasses. In the reflection we first made out a human figure, the tiny image of a woman. Then later that night we were at home, on our computers examining the photo and talking on the phone. We noticed another face reflected in the spectacles, a man with a beard, and then yet another face. Since we were talking on the phone we used clock terminology to point to the position of the faces. “Look, at 11 o’clock from the corner of his eye, see that face with the creepy eyeball staring right at you?†It gave us goosebumps, or as we say in Hawaii “Chicken Skin.†Faces that weren't there before were appearing in the image, staring back at us.
And always, that small grouping of letters that should not logically be there: A HEADS W.
Now at this point I’m sure you’re going to ask, “Okay, where can we see this photograph?â€Â
We need to ponder this for a bit. We’re going to have some folks we trust examine the photo and ask if they honestly also see the message. In the meantime we want to safeguard the image, if that is possible. The original is in the Library of Congress. We will order a high resolution copy from the Library of Congress. But if a remote viewer can go back in time and alter the photo, maybe remote viewers in the future will go back and put their own mark on the photo, and those marks are already there, because they did it already (like Glenn did) in 1875. This photo may become a popular test or “proving ground†for putting messages in time. So where we are right now, we’re trying to figure all this out, and we’re not going to reveal the photo just yet.
I keep looking at the photo and pondering the scrawl in Glenn’s all caps style: A HEADS W.
I have this question for Glenn, who grasps all of this better than I. Glenn, If future remote viewers go affect that photo, are their messages already evident? Or will they appear after they do their sessions, and then will they have always been there? When you first worked the target, was your message already there? The paradox issues give me a headache.
This is a most interesting project. I believe Glenn did traverse time and did affect the photo. I plan on submitting this as a topic for presentation at the IRVA conference in June. If approved, we’ll bring the photo and it will be revealed at the conference and then made available to the public after that.
